The Tartars have no abiding city. . . Each captain, according to whether he has more or fewer men under him, knows the limits of his pasturage and where to feed his flocks in winter, summer, spring, and autumn, for in winter they come down to the warmer districts in the south; in summer they go up to the cooler ones in the north. They drive their cattle to graze on the pasture lands without water in winter when there is snow there, for the snow provides them with water.
The dwelling in which they sleep has as its base a circle of interlaced sticks, and it is made of the same material; these sticks converge into a little circle at the top and from this a neck juts up like a chimney; they cover it with white felt and quite often they also coat the felt with lime or white clay and powdered bone to make it a more gleaming white, and sometimes they make it black. The felt round the neck at the top they decorate with lovely and varied paintings. Before the doorway they also hang felt worked in multicolored designs; they sew colored felt onto the other, making vines and trees, birds, and animals. They make these houses so large that sometimes they are thirty feet across. . .
In addition they make squares to the size of a large coffer out of slender split twigs; then over it, from one end to the other, they build up a rounded roof out of similar twigs, and they make a little entrance at the front end; after that they cover this box or little house with black felt soaked in tallow or ewes' milk so that it is rainproof, and this they decorate in the same way with multicolored handwork. Into these chests they put all their bedding and valuables; they bind them onto high carts which are drawn by camels so that they can cross rivers. These chests are never removed from the carts. When they take down their dwelling houses, they always put the door facing the south. . .
The married women make for themselves really beautiful carts which I would not know how to describe for you except by a picture; in fact I would have done you paintings of everything if I only knew how to paint. A wealthy Mongol or Tartar may well have a hundred or two hundred such carts with chests. Baatu [1] has twenty-six wives and each of these has a large house, not counting the other small ones which are placed behind the large one and which are, as it were, chambers in which their attendants live; belonging to each of these houses are a good two hundred carts. When they pitch their houses the chief wife places her dwelling at the extreme west end and after her the others according to their rank, so that the last wife will be at the far east end, and there will be the space of a stone's throw between the establishment of one wife and that of another. And so the orda [2] of a rich Mongol will look like a large town and yet there will be very few men in it.
One woman will drive twenty or thirty carts, for the country is flat. They tie together the carts, which are drawn by oxen or camels, one after the other, and the woman will sit on the front one driving the ox while all the others follow in step. If they happen to come on a bad bit of track they loose them and lead them across it one by one. They go at a very slow pace, as a sheep or an ox might walk.
When they have pitched their houses with the door facing south, they arrange the master's couch at the northern end. The women's place is always on the east side, that is, on the left of the master of the house when he is sitting on his couch looking toward the south; the men's place is on the west side, that is, to his right.
On entering a house the men would by no means hang up their quiver in the women's section. Over the head of the master there is always an idol like a doll or little image of felt which they call the master's brother, and a similar one over the head of the mistress, and this they call the mistress's brother; they are fastened on to the wall. Higher up between these two is a thin little one which is, as it were, the guardian of the whole house. The mistress of the house places on her right side, at the foot of the couch, in a prominent position, a goatskin stuffed with wool or other material, and next to it a tiny image turned toward her attendants and the women.
By the entrance on the women's side is still another idol with a cow's udder for the women who milk the cows, for this is the women's job. On the other side of the door toward the men is another image with a mare's udder for the men who milk the mares.
When they have foregathered for a drink they first sprinkle with the drink the idol over the master's head, then all the other idols in turn; after this an attendant goes out of the house with a cup and some drinks; he sprinkles thrice toward the south, genuflecting each time; this is in honor of fire; next toward the east in honor of the air, and after that to the west in honor of water; they cast it to the north for the dead. When the master is holding his cup in his hand and is about to drink, before he does so he first pours some out on the earth as its share. If he drinks while seated on a horse, before he drinks he pours some over the neck or mane of the horse. And so when the attendant has sprinkled toward the four quarters of the earth he returns into the house; two servants with two cups and as many plates are ready to carry the drink to the master and the wife sitting beside him upon his couch. If he has several wives, she with whom he sleeps at night sits next to him during the day, and on that day all the others have to come to her dwelling to drink, and the court is held there, and the gifts which are presented to the master are placed in the treasury of that wife. Standing in the entrance is a bench with a skin of milk or some other drink and some cups.
In the winter they make an excellent drink from rice, millet, wheat, and honey, which is clear like wine. Wine, too, is conveyed to them from distant regions. In the summer they do not bother about anything except cosmos.[3] Cosmos is always to be found inside the house before the entrance door, and near it stands a musician with his instrument. Our lutes and viols I did not see there but many other instruments such as are not known among us. When the master begins to drink, then one of the attendants cries out in a loud voice "Ha!" and the musician strikes his instrument. And when it is a big feast they are holding, they all clap their hands and also dance to the sound of the instrument, the men before the master and the women before the mistress. After the master has drunk, then the attendant cries out as before and the instrument-player breaks off. Then they drink all round, the men and the women, and sometimes vie with each other in drinking in a really disgusting and gluttonous manner. . .
The Food of the Tartars
As for their food and victuals I must tell you they eat all dead animals indiscriminately and with so many flocks and herds you can be sure a great many animals do die. However, in the summer as long as they have any cosmos, that is mare's milk, they do not care about any other food. If during that time an ox or a horse happens to die, they dry the flesh by cutting it into thin strips and hanging it in the sun and the wind, and it dries immediately without salt and without any unpleasant smell. Out of the intestines of horses they make sausages which are better than pork sausages, and they eat these fresh; the rest of the meat they keep for the winter. From the hide of oxen they make large jars which they dry in a wonderful way in the smoke. From the hind part of horses' hide they make very nice shoes.
They feed fifty or a hundred men with the flesh of a single sheep, for they cut it up in little bits in a dish with salt and water, making no other sauce; then with the point of a knife or a fork especially made for this purposelike those with which we are accustomed to eat pears and apples cooked in winethey offer to each of those standing round one or two mouthfuls, according to the number of guests. Before the flesh of the sheep is served, the master first takes what pleases him; and also if he gives anyone a special portion then the one receiving it has to eat it himself and may give it to no one else. But if he cannot eat it all he may take it away with him or give it to his servant, if he is there, to keep for him; otherwise he may put it away in his captarga, that is a square bag which they carry to put all such things in: in this they also keep bones when they have not the time to give them a good gnaw, so that later they may gnaw them and no food be wasted.
The Duties of Women and Their Work
It is the duty of the women to drive the carts, to load the houses onto them, and to unload them, to milk the cows, to make the butter and grut [4], to dress the skins and to sew thern, which they do with thread made out of tendons. They split the tendons into very thin threads and then twist these into one long thread. They also sew shoes and socks and other garments. They never wash their clothes, for they say that that makes God angry and that it would thunder if they hung them out to dry; they even beat those who do wash them and take them away from them. They are extraordinarily afraid of thunder. At such a time they turn all strangers out of their dwellings and wrap themselves in black felt in which they hide until it has passed over. They never wash their dishes, but when the meat is cooked, they wash out the bowl in which they are going to put it with some boiling broth from the cauldron which they afterwards pour back. The women also make the felt and cover the houses.
The men make bows and arrows, manufacture stirrups and bits and make saddles; they build the houses and carts; they look after the horses and milk the mares, churn the cosmos, that is the mares' milk, and make the skins in which it is kept, and they also look after the camels and load them. Both sexes look after the sheep and goats, and sometimes the men, sometimes the women, milk them. They dress skins with the sour milk of ewes, thickened and salted.
When they want to wash their hands or their head, they fill their mouth with water and, pouring this little by little from their mouth into their hands, with it they wet their hair and wash their head.
As for their marriages, you must know that no one there has a wife unless he buys her, which means that sometimes girls are quite grown up before they marry, for their parents always keep them until they sell them. They observe the first and second degrees of consanguinity, but observe no degrees of affinity; they have two sisters at the same time or one after the other. No widow among them marries, the reason being that they believe that all those who serve them in this life will serve them in the next, and so of a widow they believe that she will always return after death to her first husband. This gives rise to a shameful custom among them whereby a son sometimes takes to wife all his father's wives, except his own mother; for the orda of a father and mother always falls to the youngest son and so he himself has to provide for all his father's wives who come to him with his father's effects; and then, if he so wishes, he uses them as wives, for he does not consider an injury has been done to him if they return to his father after death.
And so when anyone has made an agreement with another to take his daughter, the father of the girl arranges a feast and she takes flight to relations where she lies hid. Then the father declares: "Now my daughter is yours; take her wherever you find her." Then he searches for her with his friends until he finds her; then he has to take her by force and bring her, as though by violence, to his house.
[1] Baatu (d. 1255/56) was the grandson of Chinggis Khan and was head of a party of Mongols who conquered much of Western and Central Asia including Russia known and the Golden Horde.
[2] A Turkic word for "camp," hence the English word "horde."
[3] An alcoholic beverage made from fermented mare's milk.
[4] A kind of cheese.
From: Christopher Dawson, ed. and trans., The Mongol Mission (New York; Sheed and Ward, 1955), pp. 9398, 103104, passim. Reprinted in: Alfred J. Andrea and James H. Overfield, The Human Record: Sources of Global History, 3rd ed., Vol. I: To 1700 (Boston; Houghton Mifflin, 1998) pp. 410-414.
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